Subjective....
This is completely "My Bad!" here....Homemade is always the best. I get in moods where I just want to bake and some of my clients have gotten to try some interesting muffins or cupcakes because of it. Sometimes sustenance is needed after a session.
BTW I thought it was cookies...walnut cookies. Either way, stop on by my bakery and I'll hook you up!
FYI. NOTHING, of the baked goods variety, found in my home or bakery is store bought! LOL
It's ALL freshly made and made from scratch. *curtsy and a giggle* Originally Posted by GenesisNicole
Inversely how would any of you 'tards react if your boss arbitrarily decided you were overpaid & now will be getting paid (thrown out random figure) 15% less? Originally Posted by Dorian GrayEither put up with it or go find a job with better pay.
I dont mean to be rude honey, but like most of my upscale clients say, "If you can't afford to be in the hobby then you should find another hobby. " Originally Posted by KaitlynDiorOr find another provider.
Subjective....Tootie looks like a hooker. I want to see the reverse mushroom. haircut on her at this age. What the hell were the sylists for the show thinking? I also wonder about the style of dress for the Saved by the Bell characters. Wasn't the show made in the mid-nineties. Why the hell were they all dressed like it was 1980. There was sooo much acid wash material and assorted blue jean jackets in that show. And Slater had a curly mullet.
Originally Posted by Dorian Gray
I also wonder about the style of dress for the Saved by the Bell characters. Wasn't the show made in the mid-nineties. Originally Posted by chelseabeanWell, '89 to '9something...the '80s sort of metastasized into the vacuum of suck that was most of the '90s.
I never really got why Kirstie Allie was such a big sex icon. I mean, yes, she had one hell of a body. But she always looked and spoke like she was about to nod off to sleep.The nineties a Vaccum of suck? Oh, hell no. The nineties were awesome. Like the sixties, but with condoms and heroin. Thinking about moving to Portland, you know, "where the dream of the nineties is still alive. "Where young people go to retire". I love portlandia.
Well, '89 to '9something...the '80s sort of metastasized into the vacuum of suck that was most of the '90s.
{*ducks rotten pizza slices from moody atonal grunge kids*} Originally Posted by Centaur
The nineties a Vaccum of suck? Oh, hell no. The nineties were awesome. Like the sixties, but with condoms and heroin. Thinking about moving to Portland, you know, "where the dream of the nineties is still alive. "Where young people go to retire". I love portlandia. Originally Posted by chelseabeanOh no, you did not just compare the 90's to the 60's?!?!?! The Beatles, the Who, the Rolling Stones, the Doors, Hendrix, Pink fucking Floyd to...what, Pearl Jam and NIN?*
Tarantino (although, I can't watch another revenge fantasy; he may have peaked in the nineties) Originally Posted by chelseabeanTarantino achieved that vaunted acclaim whereby he was so cool that the cool kids relegated him to a cliché because he made something new in the world (then beat that horse to death, but hey) and had to be torn down to preserve their cultivated supercilious indifference to greatness. You haven't truly arrived until the consensus hates you like a post-pubescent evangelical hates masturbation.
Tarantino achieved that vaunted acclaim whereby he was so cool that the cool kids relegated him to a cliché because he made something new in the world (then beat that horse to death, but hey) and had to be torn down to preserve their cultivated supercilious indifference to greatness. You haven't truly arrived until the consensus hates you like a post-pubescent evangelical hates masturbation.Now, I know you weren't talking about me. I love Tarrintino. I love what he does. I'm all about exploring power dynamics, even in an inverted, comic book fashion. A necessary and ever-evolving conversation. A worthy dialogue for art, for sure. However, I don't think the cool kids created his cliche; he did that himself. Also, I'm not sure the consensus is the same as mine. He did win an academy award for Django unchained and the critics were dry humping all over it. I was just bored by it. It felt very "yippeykayay motherfucker", very Diehard III. That whole nineties trope of juxtaposing extreme violence with extreme glibness felt very predictable and out of place in the issue of slavery, which is the biggest wound our nation has still yet to heal from.
Also, Fraiser.... Originally Posted by Centaur
However, I don't think the cool kids created his cliche; he did that himself. Originally Posted by chelseabeanMeh, I agree he's repeated his winning formula a lot. But he does vary it. I just see a lot of people who've never created anything remotely original dismissing his oeuvre because they think it makes them sophisticated. I don't read that vibe from you.
He did win an academy award for Django unchained and the critics were dry humping all over it. I was just bored by it. It felt very "yippeykayay motherfucker", very Diehard III. That whole nineties trope of juxtaposing extreme violence with extreme glibness felt very predictable and out of place in the issue of slavery, which is the biggest wound our nation has still yet to heal from. Originally Posted by chelseabeanHmm...there was that little issue of the systematic destruction of the Native American tribes, and I don't think centuries of slavery is something that ever heals, but I take your point. Art is bound to offend somebody. It's not necessarily the fault of the artist or the offended parties. It's just the kind of disagreement we have to put up with if we want to protect freedom of expression. I always shake my head when I see people who cause and take offense dig in against each other as if the only possible outcome is for one or the other side to recant. My half-baked theory is that it bothers a lot of people to have outspoken voices disagreeing with them because they need external validation to feel secure in their convictions, or they're addicted to moral outrage, or they think they have to move the Overton window to their camp by winning at stubbornness. Anyway, I digress, and I'm not saying that about you.
He did win an academy award for Django unchained and the critics were dry humping all over it. I was just bored by it. It felt very "yippeykayay motherfucker", very Diehard III. That whole nineties trope of juxtaposing extreme violence with extreme glibness felt very predictable and out of place in the issue of slavery, which is the biggest wound our nation has still yet to heal from. Originally Posted by chelseabean