Skuld
Viking sagas are easily some of the most badass pieces of writing ever recorded. Produced by a bloodthirsty assortment of ridiculously violent warrior-poets who spent just as much time slinging spears as spinning tales, these merciless legends feature heroic quests, magical spells, endless battle, withering trash-talking, and fearsome monsters, with a lusty maiden busting out of her blouse every five pages thrown in just for good measure. By the time the story is through, you can be pretty damn sure that nearly every single character is heroically lying face down on top of a pile of corpses with a gaping slash wound prominently displayed on some vital portion of their bodies, and their blade lodged in the head of their most hated nemesis. These sagas are the blockbuster action movies and ultra-flaming guitar solos of medieval literature – and while the endless parade of proper nouns can make it a little difficult to read at times, it's really hard to argue with the badass cred of any short story in which a humorless ass-whomper avenges his murdered brother by using a battle axe the size of a Lexus to slaughter an entire city full of warriors.
The Saga of Hrolf Kraki is no exception to this time-honored tradition of literary blood-bathing. The epic story of a couple generations of semi-legendary Danish Kings who asserted their dominance by plowing peoples' skulls to bone dust with a bulldozer, Hrolf's saga is about as subtle and delicate as a game of beer pong played with live grenades. But while Hrolf himself is a hugely-powerful ass-wrecker, no one can assert a better claim to badassitude than his vengeful sister, the pitiless necromancer sorceress known as Skuld.
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